Tag Archives: Job

On Regret

We were were sitting at the base of a crag eating apple slices, chatting with another pair of climbers about things like job interviews, health insurance, and courage. After they packed up to go, I mentioned that it was lack of bravery on my part that led me to say yes to my current job. It was not at all what I had imagined for myself after years of the sights and sounds of big cities, and the idea of going someplace so small was not as prestigious as what I’d thought working in Europe could be like. I wanted a better work-life balance, a society with social ideals, and a change of perspective, but I also thought I wanted a bit of glamour.

Fast forward a couple years: It turns out I love living here and am far more comfortable with my role in a small family-like school than I was in an environment with higher stakes all around. There’s a lot more to life than big names and big cities. And Weimar, as it turns out, is known for ideas and culture. It is also home to the people I’ve become close to, who are lovely indeed.

The question surprised me when it came because I hadn’t thought of it myself: Do you regret it?

No, not at all.

We finished the apples, reorganized the rope, and tied back in. Time to move on.

But I’ve been thinking about the question, and what I’ve found most interesting is not that it was asked, but that I hadn’t asked it. That’s not to say it’s been easy moving here, and being in a bigger city would have made certain things significantly easier at the beginning. My early blog posts about the move to Weimar only scratch the surface of everything I was holding inside at that time, and some old voice memos indicate that I’d been lying awake. But regret? Even when it was hard, there was no regret. I’d made a choice, and I’d made the choice for a reason, and that was the best I could do at that time. Perhaps it wasn’t the best reason and perhaps something else would have come along had I waited patiently, but I didn’t want to wait. I wanted the certainty of knowing. I had savings from years in Singapore, I saw a climbing hall when I looked at a map, and that was good enough.

Making choices means that we’ll never know what would have happened had we made a different choice. While I can smile at the question of what my life would have become had I, at 19 or 20, learned Italian and gone to Florence for a semester as I’d planned upon entering university, I don’t need to spend any more time thinking about it. I made a different choice and that was that. It was the best I could do at the time, and the only thing I can do going forward is remain aware of what has developed since. Just because I made a choice once doesn’t mean I have to make a similar choice in a similar situation in the future. Saying yes once because I didn’t want to wait doesn’t mean I have to say yes the next time.

Learning from an experience must not mean regretting having had the experience. Unfortunately, negative experiences are excellent teachers, and I find that we need those sometimes. When everything is easy, there’s little opportunity for reflection, and it is through reflection that we grow. I don’t see that as something to regret.

Do I regret moving here? Do I regret my impatience in wanting a job? Do I regret giving up the dreams of glamour and prestige?

No.

In the end, Weimar had a climbing hall and I’ve always been one to choose the café on the corner over the hot new spot. Maybe I know myself better than I thought.

Teaching from the Heart

Several years ago, sitting in the kitchen of a hostel in Interlaken, Switzerland on a rainy Christmas Eve, I was engrossed in a book that explained teaching as an emotionally demanding profession. Oh, I thought, well of course.

When I first started teaching, I remember thinking that my time with students was a bit like an improv show. You have a plan that is more of an outline because it needs enough flexibility for nothing to go according to plan. You’re working with diverse groups of students for a specific amount of time and each group is somewhat different and requires varying amounts of time on different activities, but you’re time-bound regardless. Whatever happened before the lesson may or may not be relevant to the tone in the room that day, and whatever is in store later may or may not make an appearance. You never know exactly who you’ll get or how they’ll respond, and if certain students are missing, the whole dynamic could change. So you need a plan that is clear enough to create a predictable environment and effectively use the time available, but you also need enough tools in your toolbox to be immediately flexible. You are always, and I mean always, thinking on your feet. Sounds like an improv show to me!

What makes teaching emotionally demanding is not only that you are constantly “reading the room” and responding accordingly, but that it is relentless. One class leaves and another enters, requiring a change of pace, change of style, change of content. A lesson might have gone poorly but there’s no space for the teacher’s emotion or sufficient reflection during that lesson, in which the teacher is likely trying to figure out what to change while simultaneously managing the current environment. Add to this that young people (any people) have a range of wants and needs that may or may not align with those of the whole class or of the teacher. If a student needs to talk in the five minutes of passing time between lessons during which the teacher thought they might be able to go to the washroom, the washroom will just have to wait.

And this does not even reflect the critical point that students need and deserve someone who is calm, collected, organized, and happy to see them, regardless of how the teacher might actually be feeling. Every interaction, even within the same lesson, should be a new interaction, which can be hard to do. After all, teachers are humans and have feelings even though they are not able to respond to them. Teachers can’t leave the room when a situation becomes stressful or unpleasant. They can’t take a breather to gather their thoughts and they can’t pivot to a different topic when they don’t know how to answer. They can’t pin failure on someone else, separate themselves from someone causing a problem, or attend to anything else that might be on their minds. This is what makes teaching emotionally demanding, and this is why I need quiet when I get home. And to sit down, just for five minutes, because I may not have sat down all day.

So it was a relief to read a book that described my daily experience, all the trials and the joy, the uncertainty and the real love that goes into what I do. It’s nice to know I’m not alone.

Three very recent examples come to mind to illustrate what I mean.

Just the other day while on my bike, I found myself thinking of a particular student who I find emotionally demanding. Her moods are volatile and need to be managed very carefully (and it’s fortunate that she wears her heart on her sleeve), she is often deeply affected by any number of things, she fixates on minutiae, and it can be hard to approach her about the significant academic concerns that she is doing her best to avoid because of the high likelihood of setting her into a spiral. (And this is just one example of one student in one class.)

Yesterday this student asked if she could stay for a few minutes after school to talk about a personal issue. She wanted to talk to me because I teach psychology, she said. Years of questions framed exactly like this have led me to respond very cautiously and always with some trepidation. I do teach psychology, but I am not a psychologist. I am not a therapist, I am not a social worker, I am not trained to help anyone through crisis. Often the best I can do is refer the student to someone who can actually help them. But because I teach psychology, and perhaps because I listen, students think I know things and they come to talk.

As it turned out, and it took me greatly by surprise, this student wanted to talk about difficulties in communication with some of her relationships. She did not specify or provide any details, but explained that she is bothered by communication problems that certain people do not see the same way that she does. She wanted a right answer for how to proceed; she wanted affirmation that she was doing the right thing. We talked about communication styles and preferences, about respecting what people are telling us even when it’s not what we want to hear, and about setting boundaries. We didn’t find a right answer and she left, about 15 minutes later, clearly more comfortable with the idea that there isn’t a single answer, much less a right one.

Musing over this interaction last night, I found myself surprised that a student who is so reactive and volatile was quiet, thoughtful, and reflective when discussing a complex personal problem. She had insights I wouldn’t have expected and was intentionally discreet, showing a greater level of self-regulation that I had previously seen from her. The interaction allowed me to understand her differently, to see a different side of her, and this is perhaps something I can tap into the next time she’s having a rough day and brings that into class.

Teaching is comprised of dozens and dozens of relationships, all of which are enacted at once. And an emotionally demanding element of teaching is being the right person for each of those relationships, each and every time. After all, we are not equals and we are not peers. This is what I mean when I say that every interaction should be a new interaction. The student above should have my listening ear any time she asked for it, even on a day that had already been challenging.

Today, for example, after setting the rest of the class a task, I pulled two students out into the hall after asking them three times to change a behaviour. I had found what they were doing really frustrating and told them so. I am rarely upset in class, and can honestly only think of a couple of instances, but today I was and I could feel it through my whole body. It was an effort to keep my voice very quiet and very steady, and I could feel my elevated heart rate for several minutes after we all returned to class. I don’t know exactly why I was so bothered and it bears further thinking about, but I do know that I was very aware of how I behaved towards these students for the remainder of our lesson, and it took deliberate effort to act as though nothing had happened. Perhaps they felt the same, and it was perhaps as difficult for them to ask questions as it was for me to respond as clearly and gently as I normally do. But after the first “normal” interaction, the ice was broken, and the tension I felt diminished. When one of the students asked a second question, I knew we were alright and we carried on like before.

I can be upset at a behaviour, but this does not mean being upset at a young person learning to regulate their behaviour. When I took these students into the hall, I asked them to consider time and place and explained why this, our current context in class, was not it. Teaching is teaching, all the time, and we cannot expect students to know something if we haven’t made it very clear what it is we want them to know.

Considering what transpired between the end of the school day yesterday and the first lesson of the day today, I had to laugh when a student in my second lesson asked how I can always be so happy. I gave two answers and they’re equally true. First, I explained, what my students see comes with how I see my job as a teacher, regardless of how I might actually be feeling, and I acknowledged that there’s some level of performance in it. And second, I assured the students listening, I love what I do and am genuinely so glad to be able to do it.

My students looked a little distressed at the first answer and much happier about the second, but I think it’s good to have a bit of realism. Teachers are supposed to be teachers around students, and that largely means one thing. One very complex, multi-dimensional thing, but one thing. Teachers are not expected to be human because humanness would require us to acknowledge that complex, multi-dimensionality that we bring to the classroom as part of us and tuck away somewhere deep inside.

This is what I mean when I say that teaching is an emotionally demanding profession, and this is something I wish more people could appreciate. It’s more than lesson plans, more than marking papers, more than meeting with parents or sitting in faculty meetings. It’s more than working with students, writing letters of recommendation, and redoing unit planners. Teaching comes from the whole heart and I can think of no other way to do it.

LeftRightLeftRight

When I was in college, I went to a Coldplay concert with a group of friends. I can still feel the electricity of that night, and I still get chills when I hear certain songs. At the end of the night, after releasing a cloud of butterflies, Coldplay passed out CDs with the title LeftRightLeftRight. I didn’t understand the title at the time; after all, the album was a recording of one evening on the Viva La Vida Tour, which is what I had just paid to see. Over the past week, however, I started to wonder if the title could be a nod to creativity, and to the importance of stepping out of the boxes in which we put ourselves, in order to look for something more.

I have to give my friend Mary credit for providing the impetus for me to explore creativity this week. I don’t consider myself a creative personal at all. I’ve always wanted to be, but I am (regrettably) a perfectionist in much of what I do. In terms of the IB Learner Profile, I am not much of a risk taker. Call it a personality flaw.

ib-learner-profile-diagram
Source: http://blogs.osc-ib.com/wp-content/uploads/2014/04/IB-Learner-profile-diagram.jpg

School on the brain at all times, right?

Anyway, I reached out to Mary and another friend, Ally, earlier this week to share with them how alone and afraid I’ve been feeling. I’ve written about it before – the difficulty of finding a new job, the challenges of moving, and just trying to do as much as I can before I leave here. I’ve been feeling quite lost in the choices that I’ve made and continue to make, both in terms of employment and my personal life. Like many women in doubt, especially across oceans, I reached out to my girlfriends. I’ve known Ally since the first day of high school, which is still one of the most frightening experiences I’ve had. I went from a K-8 school of 120 kids in one town to a high school with 1,000 kids in another town. A couple weeks late, I met Mary and she introduced me to rest of the people who became my core group for the duration of my high school career. The rest, as they say, is history.

In their remarkably quick replies to a very long, rambling, I-am-crying-out-for-help-please-help-me email, both women were thoughtful, caring, supportive, and compassionate in everything they wrote and in the subsequent actions that they took. It is no surprise that I was sleeping better towards the end of this week than I have in the past month.

In the course of her response, Mary shared an interesting activity that she came across, presumably online. To paraphrase, Mary told me to ask myself an open-ended question and write the answer with my dominant hand and then my other hand. She had used ,”What animal best describes me?” in her example (quite possibly from this blog) and the two animals that she came up with beautifully capture two very different aspects of her personality. Seeing this, I gave it a try with the question, “What do you want to be when you grow up?” My dominant hand told me teacher, which I expected. As I picked up the pen in my other hand, I felt a huge smile on my face because I knew exactly what I was going to write. In the awkward letters of one who is not ambidextrous but trying to be, the word writer appeared.

And I knew it would.

The second my pen left my dominant hand, which is really the only place it ever spends any time (and quite a lot of time as I work on grading the 51 grade nine essays I got on Wednesday), I literally felt a different part of my brain activate. As a teacher of psychology, I was not entirely that this happened but I was fascinated. I found this interview with a researcher also mentioned in this article to simply explain how to activate cognitive processing in a different hemisphere than normal. Have a quick read if you’re interested, or ask the different hemispheres of your brain a question.

So I wonder if that’s what Coldplay meant with that album title. I wonder if they were reflecting on their own creativity or encouraging others to literally try another hand.

I generally have a lot of questions and, “Now what?” is a question that I ask myself every time I send out another cover letter or resume or file another “thank you for your submission” email. It’s a question I ask myself whenever I read position descriptions for jobs I should be qualified for when, in the back of my mind, I know I’m not who schools want (to be explored in another blog post at a later date). It’s something I wonder when people ask me if I’m excited to move to NYC or if I’m sorry to leave Singapore.

The difficulty is that I am not patient, I am not comfortable with uncertainty, and I am trying very hard to be both. My dominant hand says “keep trying” and I am afraid to ask my other hand.